It is a well-known tenant that drama is easy, and comedy is
hard. Nothing could be further from the truth. But what is so miraculous of
comedy is the effortlessness of the performers that makes us laugh. Laughter is
a particular trait, one that cannot be easily analyzed, but we call all agree
that it is one our best, and in some ways, most noble aspects.
The Halfwit’s Last Hurrah by Four Clowns is a mixture of
satire, slapstick, sight gags, and acrobatics. All performed with the same kind
of grace one would expect from a ballet, only this is exceedingly hysterical.
It is truly comedic. And I dare to say homage to Ernie Kovacs, as the
production has a slight edge and irreverence, yet still contains tight
structure. Not a moment is wasted; the pacing accelerates like a hyperactive roller
coaster.
Give the production team of Jeremy Aluma and Sara Waugh
credit for assembling an engaging and talented cast. Know that each actor
deserves kudos for an electrifying performance. I predict great things for
them. Director David Anthony Anis allows a collaboration of staged theatrics
and natural charisma to dominate the show without it flying into chaos. There
is bizarre genius of the script by Jamie Franta and Don Colliver. It is a
series of acts that cumulates to a great reward.
Currently playing at Hollywood Fringe Festival
1076 Lilian Way LA, CA 90038
get tickets: fourclowns.org
SUPPORT YOUR LOCAL THEATRE!
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